Cans
Yeah, all the cool kids call them ‘beats’ now, but I never got down with the shoe/kicks vibe either. To me, headphones will always be cans (thanks for that, studio life), and an integral part of my life both personally and professionally. Obviously a clear, uncolored set of cans/headphones are great for studio work so you can translate your mixes/etc to the real world more effectively, but I’ll admit for recreational listening I tend to go for a little more ‘oomph’ in the low end. Having tried a TON of headphones (and headsets) over the years, I’m slowly settling down to three pairs (plus one ‘wildcard’). Here they are, why I still use them all regularly, and their pros/cons from my perspective.
Beats Wireless – General Listening
Somewhere between the Pro & Studio and the Solo models, the Beats Wireless cans have a great balance of fidelity with some fat low end for a rich listening experience. Although the Studio model is much more accurate, there’s just something about the sound of these that I’ve come to love, they tend to warm up the bass guitar range (my personal focus area of the spectrum) and have a pleasing high end, not too brittle or crisp. But the convenience is the best part, they’re so comfortable and easy to use without the connecting cable that I often forget I’m wearing them, or need to stay within range of my phone/tablet/laptop.